55e Salon de Montrouge
I checked out this yearly emerging artists show in the suburbs and found work that sparked my curiosity, some clever one liners, and a lot of work that I was highly ambivalent about. The jury seems to privilege works that includes sexual innuendo or dead stuffed animals (note to self for my app. for next year…), though it is hard to generalize since there was quite a range of artists selected.
I liked Nicolas Durand’s installation, in which it wasn’t clear where the work (which included metal pipes lining the wall) began and where it ended. The show’s winner, Aymeric Ebrard showed an installation that consisted of found objects, fabricated elements, and prints. I wasn’t crazy about the marché aux puces stuff but I liked the golden key, and the last print. The key was literally multiplied upon itself- the object’s reflection was given physical form and attached to the object. When displayed the new object forced the viewer to do a double take upon realizing that the key’s supposed reflection was an actual object. Kirill Ukolov’s Sans Titre, 2010 plastic molds of an antique bust were a little repetitive of work I’ve seen elsewhere, but they were really really well displayed on white pedestals of varying sixes.